Showing posts with label Punk. Show all posts
Showing posts with label Punk. Show all posts

Tuesday, January 16, 2024

Moon At Noon


Stream "Moon at Noon" HERE: https://orcd.co/moonatnoon

Frontman Gizz Lazlo (Dr. Know, U.K. Subs, The Freeze, Dead Lazlo’s Place) says, ""Moon at Noon" was written a few days after my dad's first major heart attack in May of 2018. I was sitting on my parent's porch while my dad lay in the hospital in a coma for 6 days. As I sat there confused and worried about what was going to happen, I needed to write something to calm my nerves a bit. Luis had sent me a demo that I'd listened to a few weeks prior. While I was listening to the music over and over on my headphones, chain-smoking trying to distract myself, certain phrases kept coming back as I was humming melodies over the music. A few hours later I'd finished these lyrics and just left them alone as I went back and forth to the hospital trying to deal with my mother and relatives who started arriving from Mexico to see my dad. When my dad was discharged from the hospital I couldn't sleep thinking that this may happen again. About a week after my dad was home I found myself in my studio wondering what these lyrics would sound like to the music. I spent about an hour behind the mic recording the original demo for this song. I sent it to Luis and we instantly knew we HAD to record this song. It's definitely not something we usually write together. That's the thing I love about writing songs with Luis is that we both don't care what people are going to think about them. If "we" like them then let's record them. Everything we've written in the past few years are songs about the dark side of life. Not everything is rainbows and butterflies. As much as we want it to be, it just isn't. My hope is that whoever listens to our songs finds something that they can hold on to if they ever feel down. I grew up with songs that helped me through some tough times. Maybe, just maybe we can help someone through their personal trauma with our songs. I've been close to the end many times, but I'm still here. So I guess the best advice I can give is to - Never Lose Hope!! You are loved!!"


"Moon at Noon" also features a roaring guitar solo guest appearance by Mike Williamson from L.A.-based band Jr. Juggernaut.

++++

Upcoming shows:

2/3 Sardine / San Pedro

2/4 Redwood Bar / DTLA

2/18 Supply & Demand / Long Beach

For Closure began as a simple studio project, a brief opportunity to relay some finality for multi-decade veterans hailing from the punk rock scenes of the Los Angeles County suburbs, who had desired a last hurrah before they closed shop on their previous bands. But what arose from a “goodbye” project was an assortment of compositions so compelling and novel, there was a change of heart in closing the book on the past and instead, an excitement brewing about the future.

Fronted by vocalist Gizz Lazlo—whose prior contributions include Dr. Know, U.K. Subs, The Freeze and his namesake, Dead Lazlo’s Place, plus continued memberships in a bevy of bands too numerous to detail—the ensemble’s material stems from a pairing of songwriters Lazlo and Luis Estefania (F.Y.P., Rhythm Collision, Buford), who most recently were together in longtime San Fernando Valley-based outfit For Sale. The dissolution of For Sale left Lazlo and Estefania with a backlog of yet-unrecorded material and a decision to continue establishing their songwriting partnership via a new outlet—hence, For Closure.

Armed with a batch of songs, polished and perfected for tracking, Lazlo and Estefania entered the recording studio named Studio in Redlands, California with producer/drummer Wal Rashidi (Jr. Juggernaut, Revolution Mother, Turning Violet) in the summer of 2022 to begin the sessions that would ultimately sprout the band’s first single, “Carousel,” to be released via Mindpower Records. This fruitful batch of material led to a second session in winter 2023, to complete the band’s forthcoming debut full-length album, to be released in 2024.

For Closure has since moved its material from studio to stage, as it made its live debut this past fall, via shows in the Los Angeles area, which also feature guitarist Marc Maxey (Sloth Fist, The Killing Flame, Justice League) and bassist Steve Wilenkin (Life in a Burn Clinic, Dead Man’s Life, IDK).

What launched as an exercise in finality is now only the beginning of this new musical collective. It’s time for For Closure’s grand opening.

Socials:

www.instagram.com/forclosurela

www.facebook.com/forclosurela

Tuesday, December 26, 2023

Blowfuse

Blowfuse

Influenced by 80’s and 90’s punk rock waves and the skateboard lifestyle, Blowfuse crafts a style all its own, mixing the aggressiveness of hardcore punk, the catchy melodies of 90’s punk rock, the powerful classic rock riffs, with acidic and paranoid lyrics.

The new single "Move On" is the first off the band's upcoming 4th studio album 'The 4th Wall' out March 1st, 2024.

"Move On is a call to action and change. Its direct message conveys a sense of empowerment and the necessity of freeing oneself from the past to find a new direction in life.", says singer Oscar Puig. "The detrimental habit of complaining and self-pitying won't do anything but increase frustration. Only by accepting reality and taking responsibility can you navigate towards a new direction."

"Move On" is otu now via SBÄM, HFMN Crew, Epidemic Records and Infected Records.

Stream the single here: https://bfan.link/blowfuse-move-on

Watch the video here: https://youtu.be/znQ8KJHWZ9A

Music video directed by Blowfuse 6 @puxxoo

About Blowfuse:

Nowadays, Blowfuse is one of the most known and active punk rock bands of their country, Spain. The band, hailing from Barcelona, was founded around 2008 and began playing shows under the name Godfarts. While gaining renown as Godfarts they released their first album “Messed Up Minds” in 2010. The band was renamed to Blowfuse in 2013. The same year they released “Into The Spiral”, which was recorded, produced and mixed by Darian Rundall, who also worked with bands like Pennywise, TSOL, Suicidal Tendencies and U.S. Bombs.

They have toured with bands like Pennywise, 7 Seconds, and played all over Europe. Sometimes even for a length of more than two months. Blowfuse also played with bands such as Adolescents, Face to Face, Authority Zero, A Wilhelm Scream, Youth Brigade, The Casualties, The Unseen and many others. In 2013 they even played the mainstage at the prominent Resurrection Fest, sharing the stage with Bad Religion, Millencolin and Biohazard.

Being as young as they are, living one of their best moments, working on new projects, touring, filming their peculiar videos… And of course, totally committed to what they loved, and still love, music.

https://www.facebook.com/blowfuse

https://www.instagram.com/blowfuse_

https://twitter.com/blowfuse

https://www.youtube.com/@Blowfuse

https://www.tiktok.com/@blowfuse_

Friday, April 28, 2023

"Leslie's Dream"

Leslie Medford

Independent Project Records (IPR) is set to release their first ever digital-only single which will be out on 28th April. Special occasions require special songs, and what you’re about to hear is a slice of moody, brooding psych with a motorik heart and a throbbing political conscience. “Leslie’s Dream” is a rare new recording from Leslie Medford, the maverick leader of 80s San Francisco psychedelic journeymen The Ophelias. According to David Fricke (Rolling Stone, MOJO), The Ophelias were “modernists steeped in the vintage, local ethos of a late set at the Fillmore Auditorium - a potent tab of futurist acid-pop…laced with post-punk menace”.

 
In 2022 Independent Project Records released a well-received retrospective titled Bare Bodkin, charting The Ophelias’ genre-defying journey (“a stunning summation of The Ophelias’ offbeat oeuvre”, said Shindig! Magazine awarding the album 5/5 stars). Almost 40 years later, Medford is still busy conjuring spacey image-rich reveries, so get ready for “Leslie’s Dream”! Check it out here.
 
If the USA was eligible for the 2023 Eurovision Song Contest “Leslie’s Dream” would likely win the thing. Then again, in a perfect world Leslie Medford’s latest song wouldn’t be necessary like it is. We at Independent Project Records believe Medford hit the vein of the zeitgeist whilst asleep, and the track might just snowball onto summer dancefloors around the continent and beyond given the weather these days and this current atmosphere of impending chaos. Medford led The Ophelias (research them!) in the 1980s, and like that band Leslie still dreams big. Infectious and memorable, “Leslie’s Dream” aims to mobilize thought, booty-shaking, and an ecstatic, whooping, mosh pit of change.
 

Follow Independent Project Records on Social Media:

Saturday, November 5, 2022

Sloth Fist

Sloth Fist

"Will blister the inside of your f’ing skull if you’re not too careful."- Up To Hear Music

Dallas, TX, Sloth Fist are a 5 piece punk / rock ‘n’ roll band that combine the melodic sense of Descendents and Teenage Bottlerocket with the fierceness of bands like Motorhead and Turbonegro. The result is an eclectic mix of songs that will satisfy anyone who likes their music hard and heavy, but still catchy with hooks galore.

With lyrics written mainly during the pandemic, the band's new EP 'Bombs Away' (out now on Mindpower Records) takes a much darker turn than past efforts.

The band has released the EP's latest single "BOMBS / Spit It Out," the latter of which is an unreleased B-side.

Of the track, the band says "Someone ever tell you a story, but they just can't get to the point? Spit it out already!"

Sloth Fist will be playing a show w/Riverboat Gamblers and Nervebreakers at Three Links in Dallas on Sunday, November 6th.

Stream "Bombs Away" HERE: https://orcd.co/bombsaway

Order the vinyl HERE:

https://deathwishinc.com/collections/quiet-panic/products/sloth-fist-bombs-away

https://mindpowerrecords.com/_sloth_fist_bombs_away<-

http://www.slothfist.com ​​

http://www.facebook.com/slothfist ​​

https://www.instagram.com/slothfist

Saturday, August 27, 2022

The Rundown Kreeps

 


Los Angeles Ska/Punk Trio Rundown Kreeps’ Pay Homage To The Beatles' 'Help!' In New Video "NOLA”

Tour Dates Announced; Playing Fest on October 27

"This one combines sugar-sweet bubblegum pop melodies and punk energy in a Ramonesy fashion- Brooklynvegan 


***
Screen Shot 2022-08-26 at 10.40.48 AM

""NOLA" observes and compares the theme of escapism in relation to the banality of everyday life. Whether it's work stress, financial struggle, emotional hurt, or the hunger to accomplish a dream; we're all either running towards or away from somewhere. Recorded and mixed by Jonathan Mireles (audio engineer for Travis Barker as well as Machine Gun Kelly's "Tickets to My Downfall).

With this music video we wanted to pay homage to our musical heroes The Beatles; as well as subtly remain on the theme of escapism. The idea is that instead of making a video in which the subject matter is asking for help; we'd remake the "Help!" music video as close to shot for shot as possible". -Rundown Kreeps

"NOLA" Music Video

https://youtu.be/F3aOLeOxK2g

Stream the track here:

Spotify

Apple Music

Amazon Music

Tidal

Formed in 2009, LA-based trio Rundown Kreeps perform amped-up melodic Punk Rock with heavy dashes of frantic Ska, punk backbeats, and twangy vibes to keep audiences moving across a variety of dance floors.

Rundown Kreeps have completed several tours throughout the Southwest, Pacific Northwest, and Hawaii and have shared stages with notable acts like The Toasters, Reel Big Fish, Nekromantix, Buck-O-Nine, The Wierdos, The Phenomenauts, and Mustard Plug, to name a few.

All of Rundown Kreeps' past catalog of music is available on Apple Music, Spotify, Rhapsody, Tidal, Google Play, Pandora, YouTube and more!

Catch the band on tour in Sept.October. See dates below.

Social Media:

Website- www.rundownkreeps.com

Facebook - https://www.facebook.com/RundownKreepsLA

Instagram - https://www.instagram.com/rundownkreeps/

Twitter- https://twitter.com/rundownkreeps

Sunday, March 15, 2020

"Treason"


D.O.A. Announce "Treason", Their Eighteenth Studio Album
Coming March 15th via Sudden Death Records

 
East Coast US Tour Dates With DEAD KENNEDYS in March + more dates

If an actor or a reality show host can become president and wreak havoc around the world, then surely musicians have a time honored duty of reacting to that and speaking up for regular people. Punk rock legends D.O.A. have decided to do just that. That's why you have the new D.O.A. album: Treason.

Joey Shithead Keithley, Canada's Godfather of Punk, has been getting sick of the dismaying news coming out of world capitals like Washington, Moscow, Beijing, Tehran, Pyongyang etc., so he decided to come up with D.O.A.'s musical reaction to this crap and stand up against corruption, warmongering, racism, sexism and global warming.

So here it is: Treason, it's the band's eighteenth album. It takes off in full frenzy with "All the President's Men" with Keithley exclaiming It's time to put them in the pen. Then D.O.A. quickly launches into a modern punk anthem "Wait Till Tomorrow" a look at the brutal treatment of refugees.

But never lost on D.O.A., is that part of their mantra that is punk rock humor, hence they have spawned: "It Was D.O.A." an uproarious piss take on unsuspecting musicians that will soon learn the tough lessons of the road: the D.O.A. members themselves.

D.O.A.
Of course with an album named Treason you would expect some comment on President Donald Trump. So the Men of Action have taken one of their all-time classics and come up with new lyrics. They have reworked "Fucked Up Ronnie" and the result is "Fucked Up Donald" and it's a blistering 73 seconds of mayhem!

Along the way Treason flips the corrupt system the bird with wild tunes like: "Gonna Set You Straight," "Just Got Back From the USA" and "It's Treason." There's also an absolutely ripping version of fellow Canadian Neil Young's "Hey Hey My My" where D.O.A. takes a unique approach that has anguish and fire at the same time.

On Treason D.O.A pulls no punches and nor should they. What you get is an uncontrollable punk rock riot that seems to breathe fire, the way punk was meant to be.

Pre-order the LP or CD at Sudden Death Records.
East Coast US Tour Dates
3/15 - Brooklyn Bowl - Brooklyn, NY   ***Opening for Dead Kennedys

Canada Tour Dates
3/26 - Record City - Vernon, BC
3/27 - Gun Barrel Grill - Apex, BC
3/28 - Prospect Pub - Pemberton, BC
Canada Spring Tour Dates
5/7 - London Music Hall - London, ON
5/8 - Lee's Palace - Toronto, ON
5/9 - This Ain't Hollywood - Hamilton, ON
5/10 - Starlight - Waterloo, ON
5/11- The Foxx Lounge - Barrie, ON
5/12 - The Mansion - Kingston, ON
5/13 - Les Foufounes - Montreal, QC
5/14 - Dominion Tavern - Ottawa, ON
5/15 - L'Anti Bar - Quebec, QC
5/16 - Rock Café Le Stage - Trois-Rivieres, QC
5/17 - Bar Le Magog - Sherbrooke, QC
5/18 - Warehouse Concert Hall - St Catherines, ON
West Coast US Spring Tour Dates
6/4 - Little Devil's Lunchbox - Port Angeles, WA
6/5 - Blast Off - Salem, OR
6/6 - TBD - Tacoma, WA

Follow Joe on Instagram and Twitter, and the D.O.A. gang on Instagram and on Facebook
 

Saturday, November 23, 2019

"Hardcore 81"


D.O.A.'s "Hardcore 81" Receives 2019 
Slaight Family Polaris Heritage Prize Designation 

The Polaris Music Prize has announced D.O.A.'s Hardcore 81 and Oscar Peterson Trio's Night Train albums have received 2019 Slaight Family Polaris Heritage Prize designation.
D.O.A.'s genre-defining hardcore punk album from 1981 was chosen over 11 other nominated albums in the Re:Sound-supported Heritage Prize public voting category, which ran this year from September 17 to October 18. This marks the first time a British Columbia artist has won the Heritage Prize. The Oscar Peterson Trio's 1963 album by the legendary jazz pianist was selected by a 10- member Polaris Heritage Prize jury made up of music media and historians.
"Congratulations to these two winning artists. You've created important memorable recordings that have had a lasting impact on the musical landscape. I have tremendous appreciation for the work that has gone into creating these timeless albums," said Gary Slaight, President and CEO of Slaight Communications.
The winners appreciated that these albums remain so relevant with the jury and the public decades after their initial releases.
"It's pretty cool for D.O.A. and our fans to have Hardcore 81 recognized by Polaris. When it was released, we never realized that this album would give birth to the hardcore music genre and make an impact around the world," said D.O.A.'s Joey 'Shithead' Keithley. "So this is an amazing moment for us." 

D,O,A,
D.O.A. and the Oscar Peterson Trio now join a list of past Heritage Prize winners which include the likes of Leonard Cohen, Joni Mitchell, Neil Young, Alanis Morissette, Peaches, Glenn Gould, Dream Warriors and Harmonium.

"Re:Sound is proud to sponsor the Polaris Heritage Prize for the third consecutive year," said Ian MacKay, Re:Sound's president. "By spanning numerous decades and musical genres and incorporating both the jury and the public's selections, we see winners who reflect Canada's diverse and dynamic musical history. The shortlist and winners reinforce why we do the work we do to help build a thriving and sustainable music industry in Canada." 

Like the Polaris Music Prize, winners and nominees for the Heritage Prize are Canadian albums of the artistic distinction, without regard to musical genre or commercial popularity. This is the Polaris version of a hall of fame where we try to determine who would have been nominated or won the Prize before it began in 2006.
The Office of Gilbert Li, who curated the 2019 Polaris Music Prize posters and the posters for the 2018 Heritage Prize winners, will once again select the visual artists who'll pay tribute to the two winning records in the form of Polaris Posters.
The 2019 Polaris Heritage Prize jury included Stephen Cooke, Del Cowie, Francella Fiallos, Stuart Henderson, Bob Klanac, Valerie Lessard, Trevor Risk, Tabbasum Siddiqui and Andrea Warner. Mary Dickie was the jury foreperson.

TIME TO FIGHT BACK AND CHANGE THIS WORLD
TALK - ACTION = 0
Ya Hey! D.O.A. - Forty years and going strong

Follow Joe and the D.O.A. gang on Twitter and on Facebook

Saturday, November 16, 2019

"Born In The Bronx"


Handsome Dick Manitoba releases his first solo album, 
"Born In The Bronx" 


Available Now via MVD Entertainment Group


Handsome Dick Manitoba was the leader of the NYC punk group "The Dictators" starting in 1975. The group went through a series of break ups and name changes but always with Manitoba as front man. This is his first solo release and is backed by a lineup of stellar musicians including P.F. Sloan, Michael Shrieve, Simon Kirke and others. Sloan backs him here on his opus "Eve of Destruction" playing harmonica, guitar and on background vocals. 

He was also an on air DJ on Sirius / XM for 14 years, being recognized by The Village Voice as "Best Satellite Radio DJ" in 2005. Manitoba was also lead singer for MC5 starting in 2005, after the death of lead singer Rob Tyner and remained in that capacity until they disbanded after the death of bassist Michael Davis in 2012. 

Manitoba now has a podcast called "You Don't Know Dick"...and the best is yet to come!


Producer / Co-writer Jon Tiven says: 

"We wanted to make a record that was contemporary punk 'n' roll with a love for the sound of our early heroes like Wynonie Harris, Bert Berns, and the Beach Boys. I brought in a few of my Nashville friends to play and sing on it----Buddy Miller, Harry Stinson, Beth Hooker, Shannon Pollard, Chuck Mead, Donte M'Shawn---as well as some old friends to kick the skins Mickey Curry, Mat Reale, Simon Kirke and Mike Shrieve. Our beach song, "Surfside," was injected with a direct dose of the California Sun by transcendental poet Stephen J. Kalinich, the only lyricist to work with Brian, Carl and Dennis Wilson (as well as Mike Love and Stephen Marks). 

I suggested we cut a new version of my pal the late P.F. Sloan's classic anthem "Eve Of Destruction," and Handsome Dick was all-in. I even managed to fly in some harmony vocals, harmonica, and acoustic guitar from P.F. himself from some previous sessions I had done with him.

It took us a minute to find the right home for the record, but Arny Schorr stepped up with his Liberation Hall imprint and had all the enthusiasm we needed to see. So this is BORN IN THE BRONX. Germinated in NYC, manifested in Nashville, now available throughout the world... I hope y'all enjoy it!"

Saturday, August 10, 2019

Saturday Sinema: Desolation Center

Desolation Center Hits Theaters Nationwide starting Friday, September 13th

I remember when punk was young...

Desolation Center, the indie music festival documentary which has played numerous film festivals worldwide, is set to begin a national theatrical rollout starting on September 13th in Los Angeles. The film is the untold story of a series of guerrilla music and art performance happenings in the 80s which inspired the birth of contemporary festival culture including Burning Man, Lollapalooza and Coachella. The film combines interviews of punk and post-punk luminaries with rare performance footage of Sonic Youth, Minutemen, Meat Puppets, Perry Farrell, Redd Kross, Einstürzende Neubauten, Survival Research Laboratories, Savage Republic and more, giving viewers unprecedented access to a time when pushing the boundaries of music, art, and performance was like an unspoken obligation. Directed by the creator and organizer of the original events, Stuart Swezey, Desolation Center tells the true story of how the risky, and at times even reckless, actions of a few outsiders were able to incite seismic cultural shifts.

The new theatrical cut of Desolation Center includes an interview with Perry Farrell of Jane's Addiction and co-founder of Lollapalooza who was a participant in all of the Desolation Center events. The film will be having its New York City premiere as part of the Rooftop Films series with an outdoor screening in the historic Green-Wood Cemetery on Thursday, August 15th followed by a 50+ city run across North America in the following weeks. 
White Punks On Dope?
The story of the guerrilla music and performance events of the Desolation Center is inextricably linked with the director's own story as a young adult in the punk and post-punk music scene in the early 1980s. Desolation Center is more than just the story of a series of wild and unorthodox happenings. The film is also true to the spirit of freedom and possibility that punk and its clarion call of creative deconstruction embodied. 

The timeless power of DIY-do-it-yourself culture is an ongoing theme in the film. Director Stuart Swezey told the New York Times, "D.I.Y. is now a shorthand for a lot of things," he said. "But the idea that you can have a wacky idea and get a bunch of people to go along with it, and make it happen even with very limited resources - that was life-affirming."

The film explores an almost lost subcultural story that will also be a catalyst to future generations to question assumptions and carve out new possibilities to express themselves. As Thurston Moore also described to the New York Times, the mood was "one of complete joy and wonder at being together in a place that might as well have been another planet." He said the most radical attribute of Desolation Center was that "it asked no permission," and he called the show "one of the great moments" in the history of Sonic Youth. 

Sonic Youth
Desolation Center has screened across the globe including the prestigious European CPH:DOX Film Festival in Denmark, Sheffield Doc/Fest in the UK and its US premiere at Slamdance Film Festival in Park City, Utah. More recently, it brought home Audience Awards at SF Indiefest and Chicago Underground Film Festival and was a selection of the Detroit Free Press Freep Festival screening at the Third Man Records store. 

Friday, April 19, 2019

Good Friday - D.O.A.


D.O.A. "1978" Double 12" LP/CD coming May 3rd

Unreleased demos, rare tracks, and early singles 
from Canada's punk pioneers 
Godfathers of Hardcore 40th Anniversary Tour Continues

D.O.A. "1978" is a 21 track collection of unreleased demos, rare tracks, and early singles from Canada's punk pioneers. Joey Shithead Keithley went deep into the Sudden Death vault and came up with some super exciting and raw punk rock. 

The album title and art concept is spike haired nod of the head to that early, dynamic era of D.O.A.and to the seven great former members of D.O.A., who have passed on. Their spirit and talent played a huge role into launching the band into worldwide prominence.

The two constants on the album are Joey Shithead and Chuck Biscuits who play on every track. From the start of "1978" the listener is drawn in by their wild, "I don't give a shit" approach to punk rock. Now some 40 years later you can hear it all, starting with the never seen light of day demo version of The Enemy. This demo has a different set of lyrics that speaks to fighting Nazis, strange, what is old is new and vital again. 

There's a ton of exciting tracks that range from the never heard before: Bored and Suicidal, The Mutant, No God No War, Rip Dis Joint, No Way Out and Rent-A-Riot to classic early singles like Fucked Up Ronnie, Disco Sucks, World War 3, The Prisoner and Thirteen. You also get demo versions of America the Beautiful and Liar for Hire with Biscuits drumming, which are wildly different than the classic versions you hear on "War on 45." 

On "1978" you hear the origins of hardcore and you get a full blast of D.O.A's politics and raucous humour. The album will be released as a double 12" LP/CD on May 3rd, go to Sudden Death Records for more info. 

Against all odds Canada's punk godfather Joey Shithead Keithley elected to political office
In his hometown of Burnaby, BC, Canada, Joe ran a campaign based on affordable housings for all, help for the disadvantaged, sustainability and grassroots democracy. Facing well financed and vicious opponents, Keithley took a shoestring budget and his punk rock attitude and was elected as a city councilor. Burnaby is BC's third biggest city and Canada's most culturally diverse, 150 languages can be heard on the streets of Burnaby. Joe's always been involved in politics, including organizing Canada's first Rock Against Racism concert way back in 1979, so it just seemed like a natural progression for him to stand for election.  

"When I ran it was pretty straight forward... I said housing should be a right and not a privilege and everybody's vote has to count," said Keithley. "I'm just using D.O.A.'s mantra: TALK - ACTION = 0 and applying it to politics. It's been fun to get in there and kick some ass!"

Since being elected, Keithley has helped set up the first homeless shelters in the city. He is also a key member of Burnaby's critical Affordable Housing Task Force. He has also stood up against junkets and perks to local politicians. Keithley was recently quoted as saying, "Give me some time, but I have my sight set on running for Canada's Prime Minister, so I can help attain justice and fairness for all Canadians."

It all comes full circle as he began his quest back in 1978 till now, hence the album name "1978."

D.O.A.'s last studio album Fight Back was hailed as their most innovative since War on 45 (1982). 

It's a scathing and timely piece in which Joe deals with all manner of unseemly low characters and issues. The album opens with acerbic "You Need an Ass Kickin' Right Now," next rips right into the startling "Killer Cops," then smashes into the anthemic "Time To Fight Back," which is street punk resistance at its fiercest. The album proceeds with the timely "Gonna Set You Straight" with violent and natural ease, and continues with the vitriolic "I Just Got Back From the USA." Then, the album takes a funny twist with "We Won't Drink This Piss" (down with bad corporate beer!) and "You Can't Stop Me," a song in which Joe delves into the character of Slapshot's playing coach Reggie Dunlop (a natural alter ego perhaps).

The Godfathers of Hardcore continue their 40th anniversary tour in 2019 with dates in Canada, Europe, SE Asia, India, and the west coast of the US.